Dialectic and Narrative: Time to Teach the TruthThomas R. Flynn, Dalia Judovitz, National Endowment for the Humanities Professor of French Dalia Judovitz SUNY Press, 1 jan 1993 - 382 pagina's Dialectic and narrative reflect the respective inclinations of philosophy and literature as disciplines that fix one another in a Sartrean gaze, admixing envy with suspicion. Ever since Plato and Aristotle distinguished scientific knowledge (episteme) from opinion (doxa) and valued demonstration through formal final causes over emplotment (mythos), the palm has been awarded to dialectic as the proper instrument of rational discourse, the arbiter of coherence, consistency, and ultimately of truth. The matter becomes more complicated when we recognize the various uses of the term "dialectic" in the tradition, some of which complement and even overlap the narrative domain. By confronting these concepts with one another, either de facto or ex professo, the following essays not only raise anew the ancient questions of the identities of philosophy and literature, but do so in the context of recent "postmodern" challenges to their relative autonomy. |
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Pagina v
... Poetic and the Political : Martin Heidegger 43 3. Two Faces of Heidegger 47 Graeme Nicholson 4. Repositioning Heidegger 57 Herman Rapaport 5. Stevens , Heidegger , and the Dialectics of Abstraction and Empathy in Poetic Language ...
... Poetic and the Political : Martin Heidegger 43 3. Two Faces of Heidegger 47 Graeme Nicholson 4. Repositioning Heidegger 57 Herman Rapaport 5. Stevens , Heidegger , and the Dialectics of Abstraction and Empathy in Poetic Language ...
Pagina xiv
... poetic " way of dwelling in the world that avoids or , better , precedes the distinction rather than denying or ... poetry , in terms of reason and will , respectively , as Leo Strauss and Stanley Rosen do , then the ascendancy of ...
... poetic " way of dwelling in the world that avoids or , better , precedes the distinction rather than denying or ... poetry , in terms of reason and will , respectively , as Leo Strauss and Stanley Rosen do , then the ascendancy of ...
Pagina xv
... poetic verities that occur in the articles that follow . The secularization thesis , which Blumenberg questions , serves to help characterize modernity . The tripartite division of value spheres , which Habermas adopts Introduction XV.
... poetic verities that occur in the articles that follow . The secularization thesis , which Blumenberg questions , serves to help characterize modernity . The tripartite division of value spheres , which Habermas adopts Introduction XV.
Pagina 2
... poetry and narrative is expressed in an improper form . Improper , because the narrative adornments of myth preserve the tradition in the form of relics whose anthropomor- phic or animal character only highlights the alienating aspects ...
... poetry and narrative is expressed in an improper form . Improper , because the narrative adornments of myth preserve the tradition in the form of relics whose anthropomor- phic or animal character only highlights the alienating aspects ...
Pagina 3
... poetry . For Mackey , philosophy brings itself into being as a genre by distinguishing its dialectically ordered discourse from the language of myth . But Porter's essay suggests that Gorgias's strategy renders this distinction ...
... poetry . For Mackey , philosophy brings itself into being as a genre by distinguishing its dialectically ordered discourse from the language of myth . But Porter's essay suggests that Gorgias's strategy renders this distinction ...
Inhoudsopgave
The Philosophy of Genre and the Genre of Philosophy | 5 |
Helen and the Rape of Narrative The Politics of Dissuasion | 21 |
The Poetic and the Political Martin Heidegger | 43 |
Two Faces of Heidegger | 47 |
Repositioning Heidegger | 57 |
Stevens Heidegger and the Dialectics of Abstraction and Empathy in Poetic Language | 67 |
Acoustics Heidegger and Nietzsche on Words and Music | 83 |
Contesting Modernities | 101 |
Blumenbergs Third Way Between Habermas and Gadamer | 185 |
History Art and Truth Wellmers Critique of Adorno | 197 |
Narrative Fictions Theaters of Danger | 213 |
Tragic Fiction of Identity and the Narrative Self | 217 |
Ethical Ellipsis in Narrative | 225 |
Dialectics of Experience Brecht and the Theater of Danger | 233 |
Beyond Dialectics At the Limits of Normalization | 253 |
At the Limits of Formalization | 257 |
Modernity and Postmodernity | 105 |
Secularization and the Disenchantment of the World | 121 |
Modernity and the Misrepresentation of Representation | 139 |
Narrative Dialectic and Irony in Jameson and White | 151 |
Legitimacy and Truth | 161 |
Reflections on the Anthropocentric Limits of Scientific Realism Blumenberg on Myth Reason and the Legitimacy of the Modern Age | 165 |
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Adorno's aesthetic Aristotle artistic truth Blumenberg Brecht Cambridge concept constituted context critical critique cultural Dallmayr defined Derrida Descartes dialectical discourse discussion Enlightenment epic theater essay ethical existential experience fact fiction formal Foucault Freud Friedrich Nietzsche Gadamer Gas Chamber genre Gorgias Gorgias's Habermas Hans Blumenberg Heidegger Heidegger's Helen Hermeneutics human ideals identity imaginary interpretation Jacques Derrida Jacques Lacan Jean-François Lyotard Jürgen Habermas Lacan language legitimacy legitimate logic logos Ludwig Wittgenstein Lyotard Martin Heidegger means metaphorical metaphysics mode modern age myth narration narrative nature negation Nietzsche norms notion object paradox poem poetic poetry political position possible postmodern precisely problem psychoanalysis question rational reality reason relation representation rhetoric secularization sense simply social speak speech structure sublation symbolic order temporality theater theory thing thinking thought tion tive tradition trans transcendental University Press Wellmer words writes York
Verwijzingen naar dit boek
Metaphysics to Metafictions: Hegel, Nietzsche, and the End of Philosophy Paul S. Miklowitz Gedeeltelijke weergave - 1998 |