Dialectic and Narrative: Time to Teach the TruthThomas R. Flynn, Dalia Judovitz, National Endowment for the Humanities Professor of French Dalia Judovitz SUNY Press, 1 jan 1993 - 382 pagina's Dialectic and narrative reflect the respective inclinations of philosophy and literature as disciplines that fix one another in a Sartrean gaze, admixing envy with suspicion. Ever since Plato and Aristotle distinguished scientific knowledge (episteme) from opinion (doxa) and valued demonstration through formal final causes over emplotment (mythos), the palm has been awarded to dialectic as the proper instrument of rational discourse, the arbiter of coherence, consistency, and ultimately of truth. The matter becomes more complicated when we recognize the various uses of the term "dialectic" in the tradition, some of which complement and even overlap the narrative domain. By confronting these concepts with one another, either de facto or ex professo, the following essays not only raise anew the ancient questions of the identities of philosophy and literature, but do so in the context of recent "postmodern" challenges to their relative autonomy. |
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Pagina v
... Heidegger 43 3. Two Faces of Heidegger 47 Graeme Nicholson 4. Repositioning Heidegger 57 Herman Rapaport 5. Stevens , Heidegger , and the Dialectics of Abstraction and Empathy in Poetic Language Matthias Konzett 67 6. Acoustics ...
... Heidegger 43 3. Two Faces of Heidegger 47 Graeme Nicholson 4. Repositioning Heidegger 57 Herman Rapaport 5. Stevens , Heidegger , and the Dialectics of Abstraction and Empathy in Poetic Language Matthias Konzett 67 6. Acoustics ...
Pagina xiii
... Heidegger's implicit critique of representationalism and its atten- dant questioning of the normative primacy of philosophy - metaphys- ics , emerges from his meditations on truth as uncoveredness ( aletheia ) . We shall see that he ...
... Heidegger's implicit critique of representationalism and its atten- dant questioning of the normative primacy of philosophy - metaphys- ics , emerges from his meditations on truth as uncoveredness ( aletheia ) . We shall see that he ...
Pagina xiv
... Heidegger's " turn " continues from language to music , the least representational of the arts . The often gray but sometimes stark presence of Heidegger through- out this collection is apparent from the outset . It is the explicit ...
... Heidegger's " turn " continues from language to music , the least representational of the arts . The often gray but sometimes stark presence of Heidegger through- out this collection is apparent from the outset . It is the explicit ...
Pagina xv
... Heidegger's and Lacan's presences pervade this collection , one glimpses the shadow of Max Weber as well . It hovers over these es- says and , indeed , across the entire debate about modernity . His con- cept of objective possibility ...
... Heidegger's and Lacan's presences pervade this collection , one glimpses the shadow of Max Weber as well . It hovers over these es- says and , indeed , across the entire debate about modernity . His con- cept of objective possibility ...
Pagina xvi
... Heidegger , Foucault , and other harbingers of postmodernity read the by now obviously multifaceted problem of modernity as an issue of truth and rationality . The famous debate between Habermas , representing the values of modernity ...
... Heidegger , Foucault , and other harbingers of postmodernity read the by now obviously multifaceted problem of modernity as an issue of truth and rationality . The famous debate between Habermas , representing the values of modernity ...
Inhoudsopgave
The Philosophy of Genre and the Genre of Philosophy | 5 |
Helen and the Rape of Narrative The Politics of Dissuasion | 21 |
The Poetic and the Political Martin Heidegger | 43 |
Two Faces of Heidegger | 47 |
Repositioning Heidegger | 57 |
Stevens Heidegger and the Dialectics of Abstraction and Empathy in Poetic Language | 67 |
Acoustics Heidegger and Nietzsche on Words and Music | 83 |
Contesting Modernities | 101 |
Blumenbergs Third Way Between Habermas and Gadamer | 185 |
History Art and Truth Wellmers Critique of Adorno | 197 |
Narrative Fictions Theaters of Danger | 213 |
Tragic Fiction of Identity and the Narrative Self | 217 |
Ethical Ellipsis in Narrative | 225 |
Dialectics of Experience Brecht and the Theater of Danger | 233 |
Beyond Dialectics At the Limits of Normalization | 253 |
At the Limits of Formalization | 257 |
Modernity and Postmodernity | 105 |
Secularization and the Disenchantment of the World | 121 |
Modernity and the Misrepresentation of Representation | 139 |
Narrative Dialectic and Irony in Jameson and White | 151 |
Legitimacy and Truth | 161 |
Reflections on the Anthropocentric Limits of Scientific Realism Blumenberg on Myth Reason and the Legitimacy of the Modern Age | 165 |
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Adorno's aesthetic Aristotle artistic truth Blumenberg Brecht Cambridge concept constituted context critical critique cultural Dallmayr defined Derrida Descartes dialectical discourse discussion Enlightenment epic theater essay ethical existential experience fact fiction formal Foucault Freud Friedrich Nietzsche Gadamer Gas Chamber genre Gorgias Gorgias's Habermas Hans Blumenberg Heidegger Heidegger's Helen Hermeneutics human ideals identity imaginary interpretation Jacques Derrida Jacques Lacan Jean-François Lyotard Jürgen Habermas Lacan language legitimacy legitimate logic logos Ludwig Wittgenstein Lyotard Martin Heidegger means metaphorical metaphysics mode modern age myth narration narrative nature negation Nietzsche norms notion object paradox poem poetic poetry political position possible postmodern precisely problem psychoanalysis question rational reality reason relation representation rhetoric secularization sense simply social speak speech structure sublation symbolic order temporality theater theory thing thinking thought tion tive tradition trans transcendental University Press Wellmer words writes York
Verwijzingen naar dit boek
Metaphysics to Metafictions: Hegel, Nietzsche, and the End of Philosophy Paul S. Miklowitz Gedeeltelijke weergave - 1998 |