The Works of Richard Hurd, Lord Bishop of Worcester: Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Pagina 33
... scene . And , besides , from knowing the personal good , or ill , qualities of the agents , we learn to anticipate their fu- ture felicity or misery , which gives increase to the passion in either case . Our acquaint- ance with IAGO's ...
... scene . And , besides , from knowing the personal good , or ill , qualities of the agents , we learn to anticipate their fu- ture felicity or misery , which gives increase to the passion in either case . Our acquaint- ance with IAGO's ...
Pagina 39
... scene does it by deceiving the man through his senses : Te- 66 rence and Moliere , by deceiving him through " his passions and affections . This is the “ right method : for the character is not called " out under the first species of ...
... scene does it by deceiving the man through his senses : Te- 66 rence and Moliere , by deceiving him through " his passions and affections . This is the “ right method : for the character is not called " out under the first species of ...
Pagina 43
... scene as in this want of simplicity in the construction of its fable . The good sense of the author of the History of the Italian Theatre ( who , though a mere player , appears to have had juster notions of the drama , than the ...
... scene as in this want of simplicity in the construction of its fable . The good sense of the author of the History of the Italian Theatre ( who , though a mere player , appears to have had juster notions of the drama , than the ...
Pagina 45
... scene ; as may be emi- nently illustrated in the two comedies of Fletcher , called The Little French Lawyer , and The Spanish Curate . The nice contexture of the fable therefore , though it may give a pleasure of another kind , is not ...
... scene ; as may be emi- nently illustrated in the two comedies of Fletcher , called The Little French Lawyer , and The Spanish Curate . The nice contexture of the fable therefore , though it may give a pleasure of another kind , is not ...
Pagina 50
... scene being to deli- neate characters , this end , I suppose , will be attained most perfectly , by making those cha- racters as universal as possible . For thus the person shewn in the drama being the repre- sentative of all characters ...
... scene being to deli- neate characters , this end , I suppose , will be attained most perfectly , by making those cha- racters as universal as possible . For thus the person shewn in the drama being the repre- sentative of all characters ...
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The Works of Richard Hurd, Lord Bishop of Worcester: Critical works Richard Hurd Volledige weergave - 1811 |
The Works of Richard Hurd, Lord Bishop of Worcester: Critical works Richard Hurd Volledige weergave - 1811 |
Veelvoorkomende woorden en zinsdelen
action admiration Aelian Aeneis affections allusion ancient appear Aristotle authority beauty cerned character chuses circumstances comedy comic common copied critic degree delight disposition doth drama draught end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned least Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern moral nature nihil numbers object observation occasion original Pagan particular passion peculiar perhaps persons picture plagiarism Plato Plautus pleasure poem poet poet's poetical Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species Statius taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil VOLPONE WILLIAM JEPHSON words καὶ
Populaire passages
Pagina 246 - Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal ; but when lust By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Pagina 258 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all ; Sole judge of truth, in endless error hurl'd; The glory, jest, and riddle of the world!
Pagina 245 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
Pagina 274 - May plume her feathers and let grow her wings, That in the various bustle of resort Were all too ruffled, and sometimes impair'd...
Pagina 247 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Pagina 292 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 258 - When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening
Pagina 249 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.
Pagina 277 - Than reason above beasts before ; Virtue was thy life's centre, and from thence Did silently and constantly dispense The gentle vigorous influence To all the wide and fair circumference...
Pagina 284 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.