"As You are Well Pronounced by All External Warrants": Women's Bodies and Women's Places in 17th-century Dutch and English DramaWydawnictwo Uniwersytetu Wrocławskiego, 2006 - 175 pagina's |
Inhoudsopgave
Preface | 7 |
Chapter I Constructions of femininity | 17 |
Translation notes | 57 |
Copyright | |
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Adelaart analyses Arathusa Aughterson Bartholomew Fair becomes behaviour Ben Jonson bodily Bredero's Cats chastity city comedies concept constitutes Cressida cultural Daifilo defined desire discourse domestic drama dramatised Dutch early modern emphasises English Epicoene example Faithful Shepherdess female body female characters female figures feminine Feminism gender ghij Granida Griane haar Hageroos Hageroos's Hermione Hermione's household husband Huwelijk ical ideal idealisation identity internalisation Isabella Jacob Cats John Milton Keeble Klucht Leeuwendalers Leontes London Low Countries male man's manifest marriage masculine maternal Measure for Measure mijn Moortje moral motif Moy-aal nature Neerlandica Wratislaviensia nevertheless niet norm P.C. Hooft's paradoxes pastoral patriarchal Philaster play political position potentially relationships Renaissance rhetorical role scene setting sexual Shakespeare Silent Woman social Spaanschen Brabander space spatial sphere stage status structures texts tion tragicomedy transgression Trijn virginity virtue Vondel vrouw Warenar wife Winter's Tale woman woman's body women writers zijn