Shakespeare's HamletMaynard, Merrill, & Company, 1902 - 320 pagina's |
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Pagina 8
... speech can be used as any other part of speech . An adverb can be used as a verb , They askance their eyes ' ; as a noun , ' the backward and abysm of time ' ; or as an adjective , ' a seldom pleasure . ' Any noun , adjective , or ...
... speech can be used as any other part of speech . An adverb can be used as a verb , They askance their eyes ' ; as a noun , ' the backward and abysm of time ' ; or as an adjective , ' a seldom pleasure . ' Any noun , adjective , or ...
Pagina 27
... speech in which Hamlet describes to Rosencrantz and Guildenstern his melancholy . But such particulars as these do not constitute the chief evidence which proves that the poet had now attained maturity . The mystery , the baffling ...
... speech in which Hamlet describes to Rosencrantz and Guildenstern his melancholy . But such particulars as these do not constitute the chief evidence which proves that the poet had now attained maturity . The mystery , the baffling ...
Pagina 29
... because he is unintelligible . He does not aim at producing any effect with his speech , except in the instance of his appeal to Gertrude's conscience . His words are not deeds . They are uttered self - indulgently to INTRODUCTION 29.
... because he is unintelligible . He does not aim at producing any effect with his speech , except in the instance of his appeal to Gertrude's conscience . His words are not deeds . They are uttered self - indulgently to INTRODUCTION 29.
Pagina 30
... speech sleeps in a foolish ear . ' The exquisite cleverness of his mimetics and his mockery is some compensation to Hamlet for his inaction ; this intel- lectual versatility , this agility , flatters his conscious- ness ; and it is only ...
... speech sleeps in a foolish ear . ' The exquisite cleverness of his mimetics and his mockery is some compensation to Hamlet for his inaction ; this intel- lectual versatility , this agility , flatters his conscious- ness ; and it is only ...
Pagina 44
... speeches and sayings but the idle coinage of the poet's brain . What , then , are they not real ? They are as real as our own thoughts . Their reality is in the reader's mind . It is we who are Hamlet . This play has a prophetic truth ...
... speeches and sayings but the idle coinage of the poet's brain . What , then , are they not real ? They are as real as our own thoughts . Their reality is in the reader's mind . It is we who are Hamlet . This play has a prophetic truth ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
action arras Bernardo blood Cæsar Castle Enter character clown dative dead dear death deed Denmark doth doubt earth Elsinore England English Enter HAMLET euphuism Exeunt Exit Exit Ghost eyes father fear feeling follow Fortinbras friends gentleman Ghost give grief Guil hast hath hear heart heaven Hecuba honor Horatio in't instance is't Jephthah Julius Cæsar Laer Laertes leave live look lord Hamlet madness majesty Marcellus means mind mother murder nature never night noble Norway noun Ophelia Osric passion phrase play players Polonius pray purpose Pyrrhus Queen revenge ROSENCRANTZ and GUILDENSTERN SCENE sense Shakespeare Shakspere Sings soul speak speech spirit sweet Sweet lord sword tell thee There's thine thing thou thought tion tongue twere verb wind Winter's Tale word youth
Populaire passages
Pagina 240 - Horatio, what a wounded name, Things standing thus unknown, shall live behind me ! If thou didst ever hold me in thy heart, Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story.
Pagina 134 - Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech; Make mad the guilty and appal the free, Confound the ignorant, and amaze, indeed, The very faculties of eyes and ears.
Pagina 146 - And let those that play your clowns speak no more than is set down for them; for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered; that's villainous, and shows a most pitiful ambition in the fool that uses it.
Pagina 216 - How absolute the knave is! we must speak by the card, or equivocation will undo us. By the Lord, Horatio, these three years I have taken note of it; the age is grown so picked that the toe of the peasant comes so near the heel of the courtier, he galls his kibe. — How long hast thou been a grave-maker? FIRST CLO. Of all the days i' the year, I came to't that day that our last King Hamlet o'ercame Fortinbras.
Pagina 233 - tis not to come ; if it be not to come, it will be now ; if it be not now, yet it will come ; the readiness is all ; since no man has aught of what he leaves, what is't to leave betimes?
Pagina 126 - Your hands, come then: the appurtenance of welcome is fashion and ceremony: let me comply with you in this garb, lest my extent to the players, which, I tell you, must show fairly outward, should more appear like entertainment than yours.
Pagina 139 - To die; — to sleep; — To sleep ! perchance to dream ; — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause. There's the respect, That makes calamity of so long life...
Pagina 183 - Not where he eats, but where he is eaten. A certain convocation of [politic] worms* are e'en at him. Your worm is your only emperor for diet. We fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service, two dishes, but to one table ; that 's the end.
Pagina 86 - Neither a borrower nor a lender be: For loan oft loses both itself and friend; And borrowing dulls the edge of husbandry. This above all, — to thine own self be true; And it must follow, as the night the day, Thou canst not then be false to any man.
Pagina 145 - O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who, for the most part, are capable of nothing but inexplicable dumb-shows and noise.