Structure in Milton's Poetry: from the Foundation to the PinnaclesPennsylvania State University Press, 1974 - 202 pagina's Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Pagina 32
... vision displays real competence , but it brings Milton face - to - face with a difficult problem of poetic ... vision in " Elegia Tertia " is an interest- ing foreshadowing of the heavenly visions of three of the mature poems " Lycidas ...
... vision displays real competence , but it brings Milton face - to - face with a difficult problem of poetic ... vision in " Elegia Tertia " is an interest- ing foreshadowing of the heavenly visions of three of the mature poems " Lycidas ...
Pagina 40
... vision of the Bishop in Heaven because of the chronological sequence of night - sleep - dreams - vision , and because such a vision of the deceased is a usual occurrence in a poem of this sort . In " Lycidas " the case is quite ...
... vision of the Bishop in Heaven because of the chronological sequence of night - sleep - dreams - vision , and because such a vision of the deceased is a usual occurrence in a poem of this sort . In " Lycidas " the case is quite ...
Pagina 66
... vision of triumph which is appropriate to the direction the poem is taking — rather like a literary version of the beatific , religious vision which concludes " Lycidas ” and " Epitaphium Damonis . " But Milton gives poetic embodiment ...
... vision of triumph which is appropriate to the direction the poem is taking — rather like a literary version of the beatific , religious vision which concludes " Lycidas ” and " Epitaphium Damonis . " But Milton gives poetic embodiment ...
Inhoudsopgave
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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Adam Aeneas Aeneid Amor beginning Book Cambridge Christ Companion Pieces Comus concluding conventions course Daphnis death Diodati dise Lost dynamic early poems eclogue Elegia Quinta Elegia Tertia epic hero epic tradition epicedia epicedion Epistulae ex Ponto Epitaphium Damonis example exile extra-poetic problem Fair Infant functional God's Gostlin Greek grief hath Heaven heroic heroism icastic Il Penseroso important integrated John Milton L'Allegro Latin Poems literary Loeb Classical Library London Lycidas Manoa Manso Mansus masque Masque of Blackness means merely metaphor mihi Milton's development Milton's poem Nativity Ode Ovid Ovid's Oxford panegyric panegyric tradition Paradise Lost Paradise Regained Parker passage pastoral tradition Patrem patron pattern Penseroso play poem's poet poetic structure poetry praise relation resembles resolution Riley Parker Samson Agonistes Satan says scene silvae spirit stanza struc structural progression structure of Paradise technique thee thir thou Thyrsis tion topos tragedy Trans Tristia ultimate Vergil Woodhouse writing York