Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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III So mounting up in ycie - pearled carr , Through middle empire of the freezing aire He wandered long , till thee he spy'd from farr , There ended was his quest , there ceast his care . Down he descended from his Snow - soft chaire ...
Presume not on thy God , what e're he be , Thee he regards not , owns not , hath cut off Quite from his people , and delivered up Into thy Enemies hand . ( 1156-59 ) restates Samson's own lament at the opening of the play— “ O wherefore ...
Satan places Christ on the pinnacle and says , There stand , if thou wilt stand ; to stand upright Will ask thee skill ; I to thy Fathers house Have brought thee , and highest plac't , highest is best , Now shew thy Progeny ...
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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