Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Pagina 44
Hugh Maclean finds a “ relatively successful progression of stanzas I through IX , ” and sees the poem structurally ... a third of four stanzas , and a single concluding stanza which recalls and corrects impressions created in stanza I.
Hugh Maclean finds a “ relatively successful progression of stanzas I through IX , ” and sees the poem structurally ... a third of four stanzas , and a single concluding stanza which recalls and corrects impressions created in stanza I.
Pagina 46
Now the awkward , amorous killers of Greco - Roman legend have disappeared from the poem , and we have a stanza which would be competent enough in itself if the previous four stanzas had not been there . In the closing couplet the poet ...
Now the awkward , amorous killers of Greco - Roman legend have disappeared from the poem , and we have a stanza which would be competent enough in itself if the previous four stanzas had not been there . In the closing couplet the poet ...
Pagina 56
The hexameter line with which the fifteenth stanza closes— “ Will open wide the Gates of her high Palace Hall ” -is a marvelous crescendo not merely because of its sonority but because the line emerges with grand poetic logic out of the ...
The hexameter line with which the fifteenth stanza closes— “ Will open wide the Gates of her high Palace Hall ” -is a marvelous crescendo not merely because of its sonority but because the line emerges with grand poetic logic out of the ...
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
achieves Adam Aeneas Aeneid answer appears beginning Book called carries Christ closing comes Companion completion Comus concerned concluding conventions course creates critics dead death discussion dynamic earlier early Elegia Tertia epic epic tradition Epitaphium Damonis example exile extra-poetic fact father figure follow force functional gives Greek Greek tragedy Heaven hero heroic heroism ideas important integrated Italy John kind later Latin lines London Lycidas Manso Mansus masque means merely Milton moves nature never Notes opening Ovid panegyric Paradise Lost Paradise Regained passage pastoral pattern physical play poem poet poetic poetry position praise present problem progression question reasons relation resembles resolution Samson Agonistes Satan says scene seems sense similar spirit stanza structure Studies technique thee things thou tion tradition tragedy true turned ultimate Vergil vision whole writing written
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Bibliografische gegevens
| Titel | Structure in Milton's Poetry: from the Foundation to the Pinnacles |
| Auteur | Ralph Waterbury Condee |
| Editie | herdruk |
| Uitgever | Pennsylvania State University Press, 1974 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 11 maart 2008 |
| ISBN | 0271011335, 9780271011332 |
| Lengte | 202 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |