Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
Vanuit het boek
Resultaten 1-3 van 16
Pagina 47
Now that this question has been unnecessarily raised , the poet showers us with proposed answers which take the form of a spattering of further questions , largely unrelated either to the opening of the poem or to each other : “ Wert ...
Now that this question has been unnecessarily raised , the poet showers us with proposed answers which take the form of a spattering of further questions , largely unrelated either to the opening of the poem or to each other : “ Wert ...
Pagina 73
It is true that Renaissance literary criticism was strongly and often rigidly generic ; the questions of whether works ... The question of the “ center ” of Comus is much more complex than those of its title and its genre , and perhaps ...
It is true that Renaissance literary criticism was strongly and often rigidly generic ; the questions of whether works ... The question of the “ center ” of Comus is much more complex than those of its title and its genre , and perhaps ...
Pagina 80
He waves his magic wand so that she is “ all chain'd up in Alablaster , ” and the soul is in its second state of capture ( raptio ) by the body , and must now face Comus's question : Wherefore did Nature powre her bounties forth ...
He waves his magic wand so that she is “ all chain'd up in Alablaster , ” and the soul is in its second state of capture ( raptio ) by the body , and must now face Comus's question : Wherefore did Nature powre her bounties forth ...
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
10 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
achieves Adam Aeneas Aeneid answer appears beginning Book called carries Christ closing comes Companion completion Comus concerned concluding conventions course creates critics dead death discussion dynamic earlier early Elegia Tertia epic epic tradition Epitaphium Damonis example exile extra-poetic fact father figure follow force functional gives Greek Greek tragedy Heaven hero heroic heroism ideas important integrated Italy John kind later Latin lines London Lycidas Manso Mansus masque means merely Milton moves nature never Notes opening Ovid panegyric Paradise Lost Paradise Regained passage pastoral pattern physical play poem poet poetic poetry position praise present problem progression question reasons relation resembles resolution Samson Agonistes Satan says scene seems sense similar spirit stanza structure Studies technique thee things thou tion tradition tragedy true turned ultimate Vergil vision whole writing written
Verwijzingen naar dit boek
Bibliografische gegevens
| Titel | Structure in Milton's Poetry: from the Foundation to the Pinnacles |
| Auteur | Ralph Waterbury Condee |
| Editie | herdruk |
| Uitgever | Pennsylvania State University Press, 1974 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 11 maart 2008 |
| ISBN | 0271011335, 9780271011332 |
| Lengte | 202 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |