Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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Now that this question has been unnecessarily raised , the poet showers us with proposed answers which take the form of a spattering of further questions , largely unrelated either to the opening of the poem or to each other : “ Wert ...
It is true that Renaissance literary criticism was strongly and often rigidly generic ; the questions of whether works ... The question of the “ center ” of Comus is much more complex than those of its title and its genre , and perhaps ...
He waves his magic wand so that she is “ all chain'd up in Alablaster , ” and the soul is in its second state of capture ( raptio ) by the body , and must now face Comus's question : Wherefore did Nature powre her bounties forth ...
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