Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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It did state for the poet the resolution for an extrapoetic problem ( Andrewes's death ) , but it never succeeded in transforming that resolution into a unified aesthetic structure . “ Elegia Tertia ” set forth the need to justify God's ...
to some of Milton's poetic problems , but it is an evasion of others in particular the structural problem of creating a poem that moves from its initial conflicts to a conclusion which integrates its poetic and extra - poetic ...
But since the problem of Dr. Johnson's objections to the middle of Samson Agonistes has already been much discussed ... The main task here should be to see how Milton's solution to the structural problems of Samson Agonistes is related ...
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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