Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
Resultaten 1-3 van 20
And , as we also know , this position has fallen badly into disrepute . But it will be fruitful to stop and reexamine this controversy briefly because embedded in some of the crucial critical positions are perceptions of an important ...
But it is difficult to see any structural reasons for their position in the poem . The next section ( 93-110 ) is the passage which occupies a climactic position in the poem without actually being climactic .
The two extremes of position on the question are best typified by Enid Welsford on the one hand , who flatly denies that Comus is a masque : “ The masque is a dramatised dance , " she , says . “ Comus is a dramatised debate .
Wat mensen zeggen - Een review schrijven
Miltons Poetical Architecture
The Early Latin Poems and Lycidas
The Fair Infant Elegia Quinta
10 andere gedeelten niet getoond
Overige edities - Alles bekijken
Andrew Marvell's Latin Poetry: From Text to Context
Fragmentweergave - 2003