Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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The traditional conventions of the panegyric have almost disappeared , but " Mansus ” makes important use of them in a fashion which casts light on Milton's similar but more skillful use of the better - known traditions of the pastoral ...
Manso to this honorable line of patrons by both direct and inverse use of devices occurring in the poems of countless other panegyric poets for centuries . The conventions of the panegyric are not merely devices used to praise Manso ...
But the Greco - Roman comparisons such as those in this passage , the Maecenas - Gallus passage , and the Herodotus passage also have interesting roots in the panegyric tradition . Messalla , the pseudo - Tibullus told his readers ...
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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