Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Pagina 30
But unlike “ Lycidas ” and “ Epitaphium Damonis , ” the progression is always extra - poetic ; that is , the transfiguration of Andrewes is stated as a fact in the concluding section of the poem , but it is never integrated into the ...
But unlike “ Lycidas ” and “ Epitaphium Damonis , ” the progression is always extra - poetic ; that is , the transfiguration of Andrewes is stated as a fact in the concluding section of the poem , but it is never integrated into the ...
Pagina 64
We do not know and the poem never tells us . It simply says that his father objects to his poetry , that his poetry is indeed trivial and juvenile , and that he is greatly indebted to his father for gifts he can never repay , such as ...
We do not know and the poem never tells us . It simply says that his father objects to his poetry , that his poetry is indeed trivial and juvenile , and that he is greatly indebted to his father for gifts he can never repay , such as ...
Pagina 73
William Riley Parker supplies us with a useful middle ground from which to consider the genre of Comus : " Comus was never once intended to be a part of the adult masque tradition . It is instead a lovely off - spring , with a ' genius ...
William Riley Parker supplies us with a useful middle ground from which to consider the genre of Comus : " Comus was never once intended to be a part of the adult masque tradition . It is instead a lovely off - spring , with a ' genius ...
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
achieves Adam Aeneas Aeneid answer appears beginning Book called carries Christ closing comes Companion completion Comus concerned concluding conventions course creates critics dead death discussion dynamic earlier early Elegia Tertia epic epic tradition Epitaphium Damonis example exile extra-poetic fact father figure follow force functional gives Greek Greek tragedy Heaven hero heroic heroism ideas important integrated Italy John kind later Latin lines London Lycidas Manso Mansus masque means merely Milton moves nature never Notes opening Ovid panegyric Paradise Lost Paradise Regained passage pastoral pattern physical play poem poet poetic poetry position praise present problem progression question reasons relation resembles resolution Samson Agonistes Satan says scene seems sense similar spirit stanza structure Studies technique thee things thou tion tradition tragedy true turned ultimate Vergil vision whole writing written
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Bibliografische gegevens
| Titel | Structure in Milton's Poetry: from the Foundation to the Pinnacles |
| Auteur | Ralph Waterbury Condee |
| Editie | herdruk |
| Uitgever | Pennsylvania State University Press, 1974 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 11 maart 2008 |
| ISBN | 0271011335, 9780271011332 |
| Lengte | 202 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |