Structure in Milton's Poetry: from the Foundation to the PinnaclesPennsylvania State University Press, 1974 - 202 pagina's Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Pagina 30
... never integrated into the structure of the poem . In “ Lycidas ” and “ Epi- taphium Damonis " the progression and the resolution are not only stated in the poem , they are the poem itself ; in each of these , such structural elements as ...
... never integrated into the structure of the poem . In “ Lycidas ” and “ Epi- taphium Damonis " the progression and the resolution are not only stated in the poem , they are the poem itself ; in each of these , such structural elements as ...
Pagina 64
... never tells us . It simply says that his father objects to his poetry , that his poetry is indeed trivial and juvenile , and that he is greatly indebted to his father for gifts he can never repay , such as his knowledge of languages and ...
... never tells us . It simply says that his father objects to his poetry , that his poetry is indeed trivial and juvenile , and that he is greatly indebted to his father for gifts he can never repay , such as his knowledge of languages and ...
Pagina 73
... never once intended to be a part of the adult masque tradition . It is instead a lovely off - spring , with a ' genius ' of its own . " 6 Parker's metaphor is useful ; Comus surely derives from the masque tradition , however strictly ...
... never once intended to be a part of the adult masque tradition . It is instead a lovely off - spring , with a ' genius ' of its own . " 6 Parker's metaphor is useful ; Comus surely derives from the masque tradition , however strictly ...
Inhoudsopgave
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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