Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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G.W. Whiting , likewise objecting to Comus as a title , proposes that it should be known as the Masque of Chastity or the Masque of Virtue.3 And yet these titles would presumably be objectionable to the large number of critics who argue ...
Parker's metaphor is useful ; Comus surely derives from the masque tradition , however strictly one defines the tradition , and however much it differs at times from “ true masques . ” To understand the place of Comus in Milton's ...
his masque is helpful in understanding Comus for several reasons . First , of course , there are numerous superficial ... Like so many masques of the period , it manages to be multi - dimensional without in any sense being profound .
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