Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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Vergil asks in the third line of the tenth eclogue . Milton clearly implies that a similar poem will give a kind of immortality to Lycidas . This deep and essential interaction with his Greek and Roman predecessors , as opposed to ...
If Samson were immediately to agree— “ I with this Messenger will go along ” —at about line 200 instead of at line 1384 , the tragedy might have proceeded forthwith to the destruction of the temple a thousand lines sooner .
368 ; lines 7-18 . 11. Patrick Hannay , “ The Second Elegy , " Minor Poets of the Caroline Period , ed . George Saintsbury ( Oxford : Oxford University Press , 1905 ) , 1 : 706 ; lines 227-34 , hereafter cited as The Caroline Poets .
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