Structure in Milton's Poetry: from the Foundation to the PinnaclesPennsylvania State University Press, 1974 - 202 pagina's Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Pagina 21
... later and in Eng- lish rather than in Latin , is an excellent terminus ad quem for these early Latin poems . It succeeds at what they attempt but fail to do . Since much of what Milton does in the mature poems such as " Lycidas ” and ...
... later and in Eng- lish rather than in Latin , is an excellent terminus ad quem for these early Latin poems . It succeeds at what they attempt but fail to do . Since much of what Milton does in the mature poems such as " Lycidas ” and ...
Pagina 64
... later than 1645 because it was published then . Unfortunately , the evidence for any specific date for this structurally interesting poem seems inconclusive . Bush and Woodhouse argue for 1631-32 , shortly after the completion of the ...
... later than 1645 because it was published then . Unfortunately , the evidence for any specific date for this structurally interesting poem seems inconclusive . Bush and Woodhouse argue for 1631-32 , shortly after the completion of the ...
Pagina 96
... later " Diis dilecte The source of these lines is Vergil's first eclogue- " Fortunate senex , ergo tua rura manebunt , " and later in the same poem , " Fortunate senex , hic inter flumina nota . " In Vergil's poem a character named ...
... later " Diis dilecte The source of these lines is Vergil's first eclogue- " Fortunate senex , ergo tua rura manebunt , " and later in the same poem , " Fortunate senex , hic inter flumina nota . " In Vergil's poem a character named ...
Inhoudsopgave
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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Adam Aeneas Aeneid Amor beginning Book Cambridge Christ Companion Pieces Comus concluding conventions course Daphnis death Diodati dise Lost dynamic early poems eclogue Elegia Quinta Elegia Tertia epic hero epic tradition epicedia epicedion Epistulae ex Ponto Epitaphium Damonis example exile extra-poetic problem Fair Infant functional God's Gostlin Greek grief hath Heaven heroic heroism icastic Il Penseroso important integrated John Milton L'Allegro Latin Poems literary Loeb Classical Library London Lycidas Manoa Manso Mansus masque Masque of Blackness means merely metaphor mihi Milton's development Milton's poem Nativity Ode Ovid Ovid's Oxford panegyric panegyric tradition Paradise Lost Paradise Regained Parker passage pastoral tradition Patrem patron pattern Penseroso play poem's poet poetic structure poetry praise relation resembles resolution Riley Parker Samson Agonistes Satan says scene silvae spirit stanza struc structural progression structure of Paradise technique thee thir thou Thyrsis tion topos tragedy Trans Tristia ultimate Vergil Woodhouse writing York