Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Pagina 11
This is no greater danger than when the Cyclops imprisoned us in his cave by brute force ; we escaped from that place , thanks to my courage and my ingenious plan , and I think we shall live to remember this no less .
This is no greater danger than when the Cyclops imprisoned us in his cave by brute force ; we escaped from that place , thanks to my courage and my ingenious plan , and I think we shall live to remember this no less .
Pagina 126
The emotive force of this last line is the subject of some disagreement , but surely all readers will agree on one point with regard to the conclusion of Samson Agonistes : in destroying the temple Samson does not serve by standing and ...
The emotive force of this last line is the subject of some disagreement , but surely all readers will agree on one point with regard to the conclusion of Samson Agonistes : in destroying the temple Samson does not serve by standing and ...
Pagina 148
... where Creon tries first persuasion and then extortion to force Oedipus back to Thebes — and Milton's scene involving Samson and the threats first of Harapha and then of the Officer who comes to force him to the feast of Dagon .
... where Creon tries first persuasion and then extortion to force Oedipus back to Thebes — and Milton's scene involving Samson and the threats first of Harapha and then of the Officer who comes to force him to the feast of Dagon .
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
achieves Adam Aeneas Aeneid answer appears beginning Book called carries Christ closing comes Companion completion Comus concerned concluding conventions course creates critics dead death discussion dynamic earlier early Elegia Tertia epic epic tradition Epitaphium Damonis example exile extra-poetic fact father figure follow force functional gives Greek Greek tragedy Heaven hero heroic heroism ideas important integrated Italy John kind later Latin lines London Lycidas Manso Mansus masque means merely Milton moves nature never Notes opening Ovid panegyric Paradise Lost Paradise Regained passage pastoral pattern physical play poem poet poetic poetry position praise present problem progression question reasons relation resembles resolution Samson Agonistes Satan says scene seems sense similar spirit stanza structure Studies technique thee things thou tion tradition tragedy true turned ultimate Vergil vision whole writing written
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Bibliografische gegevens
| Titel | Structure in Milton's Poetry: from the Foundation to the Pinnacles |
| Auteur | Ralph Waterbury Condee |
| Editie | herdruk |
| Uitgever | Pennsylvania State University Press, 1974 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 11 maart 2008 |
| ISBN | 0271011335, 9780271011332 |
| Lengte | 202 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |