Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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My reason for this departure from chronological order is that the extra - poetic situations in “ Elegia Tertia ” and “ Lycidas ” are quite similar ; while the poetic patterns of the two poems have several interesting resemblances ...
The events in the Garden of Eden are extra - poetic in that , in Milton's view , they actually occurred , regardless of whether anyone wrote a poem about them or not . In the same sense , the death of Edward King was extra - poetic ...
to some of Milton's poetic problems , but it is an evasion of others in particular the structural problem of creating a poem that moves from its initial conflicts to a conclusion which integrates its poetic and extra - poetic ...
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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