Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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Furthermore , this study places Samson Agonistes immediately after the discussion of “ Mansus ” and “ Epitaphium Damonis , ” and therefore before Paradise Lost and Paradise Regained , thus perhaps departing yet again from chronology .
But before we can look at these matters in detail , three main cruces which have recurred in the criticism of Comus demand discussion : ( 1 ) the poem's title ; ( 2 ) its genre ; and ( 3 ) its “ center .
For a discussion of the problem see H.J. Rose , The Eclogues of Vergil ( Berkeley : University of California Press , 1942 ) . C.J. Putnam in Virgils Pastoral Art ( Princeton : Princeton University Press , 1970 ) , pp .
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