Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Pagina 3
The later poems not only solve these problems of structural progression , they also draw much of their strength from the specific poetic techniques Milton creates as solutions . Four points on the ordering of the following chapters need ...
The later poems not only solve these problems of structural progression , they also draw much of their strength from the specific poetic techniques Milton creates as solutions . Four points on the ordering of the following chapters need ...
Pagina 18
561-73 ) This speech creates structural resonances throughout the whole of Paradise Lost . ... when great things of small , Useful of hurtful , prosperous of adverse We can create , and in what place so e're Thrive under evil , and work ...
561-73 ) This speech creates structural resonances throughout the whole of Paradise Lost . ... when great things of small , Useful of hurtful , prosperous of adverse We can create , and in what place so e're Thrive under evil , and work ...
Pagina 88
It combines praise with contemplation of death , it turns poetic conventions upside down , and it creates not merely an ... And by refusing to be a conventional panegyric , it makes use of the panegyric tradition to create its own ...
It combines praise with contemplation of death , it turns poetic conventions upside down , and it creates not merely an ... And by refusing to be a conventional panegyric , it makes use of the panegyric tradition to create its own ...
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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achieves Adam Aeneas Aeneid answer appears beginning Book called carries Christ closing comes Companion completion Comus concerned concluding conventions course creates critics dead death discussion dynamic earlier early Elegia Tertia epic epic tradition Epitaphium Damonis example exile extra-poetic fact father figure follow force functional gives Greek Greek tragedy Heaven hero heroic heroism ideas important integrated Italy John kind later Latin lines London Lycidas Manso Mansus masque means merely Milton moves nature never Notes opening Ovid panegyric Paradise Lost Paradise Regained passage pastoral pattern physical play poem poet poetic poetry position praise present problem progression question reasons relation resembles resolution Samson Agonistes Satan says scene seems sense similar spirit stanza structure Studies technique thee things thou tion tradition tragedy true turned ultimate Vergil vision whole writing written
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Bibliografische gegevens
| Titel | Structure in Milton's Poetry: from the Foundation to the Pinnacles |
| Auteur | Ralph Waterbury Condee |
| Editie | herdruk |
| Uitgever | Pennsylvania State University Press, 1974 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 11 maart 2008 |
| ISBN | 0271011335, 9780271011332 |
| Lengte | 202 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |