Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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By the time Milton has completed Paradise Lost , of course , these transitions are no mere obstacles to be overcome ; rather they have long since developed into ways of imparting structure to the poem . The dynamism of the transition is ...
The resolution comes , of course , by the ironic reversal wherein Samson complies with the order to attend but in doing so brings ruin on the Philistines and glory to God . Looked at purely from this point of view , Dr. Johnson's attack ...
This is of course standard epic machinery and a good Renaissance epic poet usually followed this tradition ; Sannazaro , Vida , Giles Fletcher , and Phineas Fletcher are among the well - known epic poets who followed this four - part ...
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