Structure in Milton's Poetry: from the Foundation to the PinnaclesPennsylvania State University Press, 1974 - 202 pagina's Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Pagina 35
... concluding vision itself ( except for its unfortunate last line ) ; they are rooted in the structure of the poem as a whole . As Dr. Johnson warned , " From the foundation to the pinnacles , one part [ must ] rest upon another . " The ...
... concluding vision itself ( except for its unfortunate last line ) ; they are rooted in the structure of the poem as a whole . As Dr. Johnson warned , " From the foundation to the pinnacles , one part [ must ] rest upon another . " The ...
Pagina 50
... concluding resolu- tion . The feeling of joyful insight , resembling the concluding visions of " Elegia Tertia " and " Lycidas , " suffuses even the beginning of " Elegia Quinta " : Delius ipse venit , video Penëide lauro Implicitos ...
... concluding resolu- tion . The feeling of joyful insight , resembling the concluding visions of " Elegia Tertia " and " Lycidas , " suffuses even the beginning of " Elegia Quinta " : Delius ipse venit , video Penëide lauro Implicitos ...
Pagina 118
... concluding section of " Epitaphium Damonis " Milton supports this theme of dynamic emergence with an image which leads the poem to its final vision : the extremely complex images of the trophies brought from Italy , the " bina pocula ...
... concluding section of " Epitaphium Damonis " Milton supports this theme of dynamic emergence with an image which leads the poem to its final vision : the extremely complex images of the trophies brought from Italy , the " bina pocula ...
Inhoudsopgave
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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Adam Aeneas Aeneid Amor beginning Book Cambridge Christ Companion Pieces Comus concluding conventions course Daphnis death Diodati dise Lost dynamic early poems eclogue Elegia Quinta Elegia Tertia epic hero epic tradition epicedia epicedion Epistulae ex Ponto Epitaphium Damonis example exile extra-poetic problem Fair Infant functional God's Gostlin Greek grief hath Heaven heroic heroism icastic Il Penseroso important integrated John Milton L'Allegro Latin Poems literary Loeb Classical Library London Lycidas Manoa Manso Mansus masque Masque of Blackness means merely metaphor mihi Milton's development Milton's poem Nativity Ode Ovid Ovid's Oxford panegyric panegyric tradition Paradise Lost Paradise Regained Parker passage pastoral tradition Patrem patron pattern Penseroso play poem's poet poetic structure poetry praise relation resembles resolution Riley Parker Samson Agonistes Satan says scene silvae spirit stanza struc structural progression structure of Paradise technique thee thir thou Thyrsis tion topos tragedy Trans Tristia ultimate Vergil Woodhouse writing York