Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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Now that this question has been unnecessarily raised , the poet showers us with proposed answers which take the form of a ... The last answer that the poem gives us , “ But thou canst best perform that office where thou art " ( 70 ) ...
When the Chorus vacuously refers to the powers of “ inward passion ” and the “ secret sting of amorous remorse , ” Samson's laconic answer now shows a detachment that he lacked when Dalila entered : Sam . Love - quarrels oft in pleasing ...
Jesus's first curt answer to Satan ( I. 335-36 ) is a line and a half long . His second answer , nine lines later , dismisses Satan in ten lines . But his last speech to Satan in Book III ( 387-440 ) is fifty - four lines long ; and in ...
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