Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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X Paradise Regained as the Transcendence over the Epic Tempt not the Lord thy God , he said and stood > Concerning Paradise Regained , Milton's nephew Edward Phillips remarked that it is generally censured to be much inferior to ...
It is in this respect that Paradise Regained resembles “ Epitaphium Damonis ” —or an extension of one of the techniques of “ Epitaphium Damonis " : Paradise Regained makes use of the epic tradition , but it does not use the tradition ...
These are ethical concepts which he stated in Paradise Lost , but which he never quite so boldly built into the very ... But let us not make the mistake of thinking that this odd handling of battles in Paradise Regained is a symptom of ...
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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