Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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This observation is true , but the relation that Milton establishes between himself and Ovid is , for the seventeenyear - old poet , a complex and clever one . He uses Ovid not as a simple model , but as a weapon for taking a ...
So , in a small , undergraduate way , the organization of the ninety - two lines of " Elegia Prima " depends on this cross - comparison of Milton's rustication to Ovid's exile . When Milton says ( 21-24 ) he wishes Ovid had had as ...
Milton's exile in London supplies what residence at a university should , but does not ; conversely Ovid's complaint in exile is Non hic librorum . per quos inviter alarque , copia : pro libris arcus et arma sonant .
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