Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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VIII “ Epitaphium Damonis " as the Transcendence over the Pastoral Vos cedite silvae “ Epitaphium Damonis " in some ways marks the end of a period in Milton's career . It was the last of the three long pastoral poems that followed Comus ...
ral ; it is simply to say that , in “ Epitaphium Damonis , " when Milton follows the pastoral tradition strictly , he does so to suit his structural ends . When he flagrantly breaks with the tradition , it is because that is what the ...
Like “ Epitaphium Damonis , ” Samson Agonistes , and many of the early poems , Paradise Lost is ultimately a dialectic poem ; it seeks for the justification of God's ways . Like “ Lycidas , ” “ Epitaphium Damonis , ” and Samson ...
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