Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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“ Elegia Prima , " with its clever but superfical use of Ovid , was a brisk step in the right direction . It did more than echo Ovid ; it used Ovid to help unify the poem . “ Elegia Tertia , ” probably written a few months later ...
IV 9 The Fair Infant , " Elegia Quinta , " and the Nativity Ode But wisest Fate sayes no , This must not yet be so one Between “ Elegia Tertia ” and “ Lycidas ” are six poems ( seven , if counts “ L'Allegro ” and “ Il Penseroso ...
The Companion Pieces are structurally stronger than “ Elegia Tertia ” in that they achieve a union of the extra - poetic emotions of the two poems with their verbal entities . They also represent a development beyond “ Elegia Tertia ...
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Miltons Poetical Architecture
The Early Latin Poems and Lycidas
The Fair Infant Elegia Quinta
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Andrew Marvell's Latin Poetry: From Text to Context
Fragmentweergave - 2003