Structure in Milton's Poetry: from the Foundation to the Pinnacles
Pennsylvania State University Press, 1974 - 202 pagina's
Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.
Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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V The Companion Pieces and “ Ad Patrem ” Ergo ego jam doctae pars quamlibet ima catervae Victrices hederas inter , laurosque sedebo . The Companion Pieces and “ Ad Patrem ” may well have been written at about the same time , shortly ...
If we consider the Companion Pieces not as two individual poems but as one poem whose parts are related , the organization of the whole appears as an important step in Milton's developing control of structure .
These readings by Martz , Carpenter , and Miller illuminate not only the Companion Pieces but the direction of Milton's development . The Companion Pieces are structurally stronger than “ Elegia Tertia ” in that they achieve a union of ...
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