Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Acknowledgments Parts of this book appeared in earlier versions as articles in The Journal of General Education , Philological Quarterly , Studies in the Renaissance , Studies in Philology , and The Yale Review .
Acknowledgments Parts of this book appeared in earlier versions as articles in The Journal of General Education , Philological Quarterly , Studies in the Renaissance , Studies in Philology , and The Yale Review .
Pagina 15
The parallel between Adam's vision of the future , explicated by Michael in Books XI and XII of Paradise Lost , and that of Aeneas , explicated by Anchises in Book VI of the Aeneid , is very close , and the parallelism is important to ...
The parallel between Adam's vision of the future , explicated by Michael in Books XI and XII of Paradise Lost , and that of Aeneas , explicated by Anchises in Book VI of the Aeneid , is very close , and the parallelism is important to ...
Pagina 169
This kind of conquest which Christ achieves over Satan must have been what Paradise Lost meant in Book IX by its scorn for tinsel trappings , although Paradise Lost , for all its progression toward a Paradise within , never approached ...
This kind of conquest which Christ achieves over Satan must have been what Paradise Lost meant in Book IX by its scorn for tinsel trappings , although Paradise Lost , for all its progression toward a Paradise within , never approached ...
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Inhoudsopgave
Miltons Poetical Architecture | 1 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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achieves Adam Aeneas Aeneid answer appears beginning Book called carries Christ closing comes Companion completion Comus concerned concluding conventions course creates critics dead death discussion dynamic earlier early Elegia Tertia epic epic tradition Epitaphium Damonis example exile extra-poetic fact father figure follow force functional gives Greek Greek tragedy Heaven hero heroic heroism ideas important integrated Italy John kind later Latin lines London Lycidas Manso Mansus masque means merely Milton moves nature never Notes opening Ovid panegyric Paradise Lost Paradise Regained passage pastoral pattern physical play poem poet poetic poetry position praise present problem progression question reasons relation resembles resolution Samson Agonistes Satan says scene seems sense similar spirit stanza structure Studies technique thee things thou tion tradition tragedy true turned ultimate Vergil vision whole writing written
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Bibliografische gegevens
| Titel | Structure in Milton's Poetry: from the Foundation to the Pinnacles |
| Auteur | Ralph Waterbury Condee |
| Editie | herdruk |
| Uitgever | Pennsylvania State University Press, 1974 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 11 maart 2008 |
| ISBN | 0271011335, 9780271011332 |
| Lengte | 202 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |