Women Readers in French Painting 1870-1890: A Space for the ImaginationAshgate Publishing, Ltd., 2012 - 239 pagina's A monograph examining the representation of women reading in late-19th-century French art, this book evaluates the pictorial significance of this imagery, its popular and critical reception, and its relevance to changing notions of femininity and social relations from 1870 to 1886. |
Inhoudsopgave
Introduction | 1 |
on fabric 46 0 71 8 cm The Cleveland | 26 |
Knowing others | 33 |
15 | 42 |
Bridgeman Art Library Reading an Illustrated Journal 188081 | 60 |
Making news | 63 |
3 | 74 |
1885 oil on panel 26 7 21 cm Easel c 188488 black chalk on cream | 98 |
79 | 124 |
Reading idylls | 133 |
6 | 182 |
literacies and modernities | 211 |
| 221 | |
| 229 | |
Overige edities - Alles bekijken
Women Readers in French Painting 1870 1890: A Space for the Imagination Kathryn Brown Geen voorbeeld beschikbaar - 2016 |
Veelvoorkomende woorden en zinsdelen
argued artists associated Bashkirtseff Berthe Morisot Bonvin Bridgeman Art Library café Cassatt century Chapter Claude Monet context contrast culture Dalou Degas Degas's depictions discussed domestic Edgar Degas Émile Zola Eva Gonzalès Fantin's female literacy female reader female reading practices femininity Femme fiction Figaro Figure flâneur François Bonvin French painting Furet and Ozouf Gallery of Art gaze gendered Goncourt Goncourt brothers Gonzalès Henner Henri Fantin-Latour identified imagery imaginative individual intellectual journal Jules labour Le Figaro Les Rougon-Macquart liseuse genre livre Lyons Madame Madame Bovary male Manet Marie Bashkirtseff modern Monet monotypes moral Morisot motif Musée d'Orsay Museum National Gallery newspaper readers nineteenth novel oil on canvas Paris pastel physical pictorial political portrayal private collection public spaces reader's body reading women Renoir role rural Salon scenes sexual social solitary reading suggests symbolic textual urban viewer visual art Woman Reading women readers young Zola