Alain Resnais (French Film Directors)

Voorkant
Manchester University Press, 19 sep 2006 - 214 pagina's
Alain Resnais, director of Hiroshima Mon Amour and L'Année Derniere à Marienbad, has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating new introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais's films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond.


 

Inhoudsopgave

Documentaries 194858
16
List of plates I First impression Nuit et brouillard 1955 page
39
Liminal image LAnnée dernière à Marienbad 1961
40
Fantasy and the tactile LAnnée dernière à Marienbad 1961
41
Bernard Muriel 1963
42
Janine as a child Mon oncle dAmérique 1980
43
Laboratory rat Mon oncle dAmérique 1980
44
Camille and Nicolas On connaît la chanson 1997
45
Hiroshima mon amour 1959
46
Muriel ou le temps dun retour 1963
85
La Guerre est finie 1966 Je taime je taime 1968
108
Providence 1977
131
Mon oncle dAmérique 1980 La vie est un roman 1983
147
SmokingNo Smoking 1993 On connaît la chanson 1997
171
FILMOGRAPHY
199
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Over de auteur (2006)

Emma Wilson is Reader in Contemporary French Literature and Film at Corpus Christi College, Cambridge.

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