Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art PracticesHolly Crawford University Press of America, 17 sep 2008 - 330 pagina's Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice. |
Inhoudsopgave
3 | |
14 | |
Collaborative Artistic Practices in Europe 19371943 | 27 |
Chapter 04 Collaborative Practices in Environmental Art | 60 |
Chapter 05 Concepts of Collaborative Art in the Divided Germany of the 1960s | 64 |
Collaborative Art by Women in the German Democratic Republic | 76 |
Chapter 07 The Second Self | 92 |
Desire and Collaborative Authorship in Carla Harryman and Lyn Hejinians The Wide Road | 98 |
Chapter 24 What is Conversational Music or Convers? | 266 |
Part Two SHORTER COMMENTS THOUGHTS AND PROJECTS | 275 |
Chapter 25 Some Thoughts on Collaboration | 277 |
Chapter 26 The Electron Buddy System | 283 |
Chapter 27 I Always Appreciated Teamworkand Collaborations | 285 |
Thoughts on Collaboration and Protest | 287 |
Chapter 29 Observations onCollective Cultural Action | 289 |
Chapter 30 New Social Art School | 292 |
A Dialogue on Methodology | 108 |
Chapter 10 Learning from Robert Venturi and Denise Scott Brown | 116 |
Chapter 11 Languages of Innovation | 127 |
Chapter 12 Working Together | 139 |
A Life in Fluxus | 145 |
Claes Oldenburg Maurice Tuchman | 187 |
Interdisciplinary Diablogues as Challenge and Chance | 199 |
An Interview with Claire Bishop | 202 |
Cuban Artists Not in Residence | 210 |
Oakland Projects | 218 |
The Art of Virtual Memory in a Pentagonfunded Initiative | 232 |
Cultural Exchanges in Weedpatch | 237 |
Chapter 21 Sometimes Im Harvey Weinstein Sometimes Im Wes Craven The Same Goes For My Brother The Neistat Brothers | 248 |
The Case of Christos and JeanneClaudes Impermanence and Exclusivity | 255 |
Chapter 23 The Wuwei of the 21st Century Art of Collaboration | 262 |
Chapter 31 Complicity | 294 |
Chapter 32 Transromantik | 296 |
Chapter 33 Collaboration | 299 |
Concept and Progress | 301 |
Chapter 35 Online Collaboration in Genomic Art | 302 |
Chapter 36 A Robot and Its Double | 305 |
Chapter 37 Artes and Collaborative Projects | 308 |
Chapter 38 My Collaborative Art | 312 |
Chapter 39 Collaboration between Tracey Snelling and Salvador Diaz Chicago March 2005 | 313 |
Chapter 40 iWoz and Gina | 315 |
Chapter 41 On Collaboration | 316 |
317 | |
Contributors | 331 |
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Artistic Bedfellows: Histories, Theories and Conversations in Collaborative ... Holly Crawford Geen voorbeeld beschikbaar - 2008 |
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