Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices

Voorkant
Holly Crawford
University Press of America, 17 sep 2008 - 330 pagina's
Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice.
 

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Chapter 01 The Decoration of the Paris Panthéon by Paul ChenavardA Particular Brotherhood
3
Depressionera Collaboration and a Theory of Camera and Pen
14
Collaborative Artistic Practices in Europe 19371943
27
Chapter 04 Collaborative Practices in Environmental Art
60
Chapter 05 Concepts of Collaborative Art in the Divided Germany of the 1960s
64
Collaborative Art by Women in the German Democratic Republic
76
Chapter 07 The Second Self
92
Desire and Collaborative Authorship in Carla Harryman and Lyn Hejinians The Wide Road
98
Chapter 24 What is Conversational Music or Convers?
266
Part Two SHORTER COMMENTS THOUGHTS AND PROJECTS
275
Chapter 25 Some Thoughts on Collaboration
277
Chapter 26 The Electron Buddy System
283
Chapter 27 I Always Appreciated Teamworkand Collaborations
285
Thoughts on Collaboration and Protest
287
Chapter 29 Observations onCollective Cultural Action
289
Chapter 30 New Social Art School
292

A Dialogue on Methodology
108
Chapter 10 Learning from Robert Venturi and Denise Scott Brown
116
Chapter 11 Languages of Innovation
127
Chapter 12 Working Together
139
A Life in Fluxus
145
Claes Oldenburg Maurice Tuchman
187
Interdisciplinary Diablogues as Challenge and Chance
199
An Interview with Claire Bishop
202
Cuban Artists Not in Residence
210
Oakland Projects
218
The Art of Virtual Memory in a Pentagonfunded Initiative
232
Cultural Exchanges in Weedpatch
237
Chapter 21 Sometimes Im Harvey Weinstein Sometimes Im Wes Craven The Same Goes For My Brother The Neistat Brothers
248
The Case of Christos and JeanneClaudes Impermanence and Exclusivity
255
Chapter 23 The Wuwei of the 21st Century Art of Collaboration
262
Chapter 31 Complicity
294
Chapter 32 Transromantik
296
Chapter 33 Collaboration
299
Concept and Progress
301
Chapter 35 Online Collaboration in Genomic Art
302
Chapter 36 A Robot and Its Double
305
Chapter 37 Artes and Collaborative Projects
308
Chapter 38 My Collaborative Art
312
Chapter 39 Collaboration between Tracey Snelling and Salvador Diaz Chicago March 2005
313
Chapter 40 iWoz and Gina
315
Chapter 41 On Collaboration
316
Index
317
Contributors
331
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Over de auteur (2008)

Holly Crawford, (Ph.D.), is an artist and art historian. She is the Director of AC Institute, a nonprofit organization for research in contemporary art.

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